Rachel Shane

Rachel Shane has build an incredibly inspiring career. In turn, her mission is to continue to produce inspiring and diverse projects.

She currently oversees all aspects of feature film and television development and production for Madison Wells.

A few of her credits include:

  • Executive Producer on the Academy Award®-nominated HELL OR HIGH WATER (starring Jeff Bridges, Chris Pine and Ben Foster)

  • Producer on the Golden Globe-nominated MOTHERLESS BROOKLYN (written, directed by and starring Edward Norton).

  • Producer on THE EYES OF TAMMY FAYE (starring Jessica Chastain and Andrew Garfield)

  • Executive Producer on ARETHA (starring Cynthia Erivio),

  • Executive Producer on PICASSO and EINSTEIN, the Emmy® award winning and Golden-Globe nominated series GENIUS

Rachel’s tenure at Madison Wells began as President of Production at OddLot Entertainment (aka MW), which produced and financed high-profile indie films including one of my all time favorite films, THE WAY WAY BACK starring Steve Carell, DRIVE starring Ryan Gosling, and Jon Stewart’s directorial debut, ROSEWATER.

Previous to Madison Wells, she climbed the ranks at Red Wagon Entertainment under the guidance of Doug Wick and Lucy Fisher.

Gems this week include:

  • Dropping out of law school and falling in love with film during an internship in Mexico

  • The balance between financing and creatively producing

  • Knowing when to leap towards the next rung of the ladder

Michelle LeClerc

Michelle strives to add context and meaning to the exponentially growing world of design. Recently served as the Creative Director at Beutler Ink, a strategic creative agency specializing in research, writing, and design. Michelle has developed design and data visualization for social justice organizations like Campaign Zero, Be a Hero, and Yale’s The Justice Collaboratory and Freedom Reads. In 2017, she created the data visualization for Elizabeth Warren’s book, This Fight is Our Fight, a #1 New York Times bestseller. In 2019, on behalf of Campaign Zero, she led the data visualization for the first police scorecard in the US, which sought to identify urgent issues surrounding police accountability and propose best-practice solutions. Michelle’s commitment to quality design extends from the office to the classroom—she teaches Infographic Design at Temple’s Tyler School of Art.

www.michelleleclerc.com
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